Wednesday, June 25, 2025

In Memory of Speckles: 1993? - June 24, 2025

In Memory of Speckles

1993? – June 24, 2025
A beloved companion, and a quiet teacher of love.

This week, I said goodbye to my turtle companion, Speckles, who shared my life for over 32 years. Speckles came into my life as a gift from a third-grade science teacher. She was a special turtle who would sit quietly and listen attentively as students read aloud to her. From that moment, I knew I would accept her gift—and she would become a quiet companion for decades to come. Over time, she became a sacred presence in my home, my heart, and my healing.

Speckles was a diamondback terrapin, but more than that, she was a mirror of gentleness, rhythm, and presence. I often called her my “free-range turtle” because I eventually stopped keeping her in a tank—she walked freely around my home, choosing her favorite spots, carving out her own territory of peace. She never once made a mess outside her bathtub. She was dignified, elegant, particular, and deeply intelligent.

She taught me about patience, about moving slowly and deliberately. About resting when life became too much. About knowing when to retreat in stillness rather than panic. I often watched her pull in her head when chaos surrounded her, and I began to understand that response in myself. Her rhythms became part of my own.

During the COVID years, and especially as I’ve lived with Long COVID, Speckles became an unexpected guide. As my world shrank and illness demanded deep rest, I found myself moving more like her—slowly, deliberately, quietly. I watched how she knew when to retreat from stimulation, how she rested without guilt, how she took her time. Her stillness gave me permission to stop striving and simply be. She never required me to be cheerful or productive—just present, just there. And in that shared stillness, I began to understand how healing it could be to live with softness, on my own terms.

Through illness, joy, heartbreak, art, single-parenting two humans, grief, laughter, and all the quiet moments in between, Speckles remained constant—a steady part of the rhythm of my daily life, grounding me with her quiet presence. She never asked anything of me other than presence: a morning feeding, an evening check-in, a scratch at the tub when she was hungry, and in winter, her long, slow sleep.

She only ate one food—freeze-dried shrimp—and later in life insisted it be served cold. There was something both funny and regal about her preferences. Her standards were clear but never imposed.

In a world where love is so often confused with control or intensity, Speckles quietly embodied something else. She reminded me that love can be steady, simple, and respectful. That presence is enough. That companionship doesn’t need words to be profound. Her passing has reminded me how powerful quiet connection can be—and how deeply healing it is to be loved for exactly who we are.

She now rests in a small grave in my backyard, with stones from the beach we often visited together. She walked that beach with me many times over the years—drawn to the waves, full of wonder. As soon as she heard the ocean, even from a quarter mile away, she would begin her pilgrimage—taking her time, step by step, until she reached the shore. But she always came back to me, as if sensing that the vastness of the sea, though beautiful, wasn’t quite her place. After each journey, she would sleep deeply for a day or two, and I could sense how much it took out of her to make the trip. It was her ritual. And I respected it, and her, completely.

I will walk out to visit her now, to talk to her. I’ll plant flowers there. She is gone, but she is still with me.

Speckles lived longer than many human relationships. She gave more peace than many words ever could. Her life was small but vast—quiet but profound. She lived on her terms. And she showed me, simply by being, how to live more fully on mine.

Thank you, Speckles, for your grace, your rhythm, your wisdom, and your quiet love.
You were never “just a turtle.”
You were the soul of my home.

I will hold you in my heart always.

Much love,
Triada, Liam, Leopold

Gotta let her go










Monday, April 28, 2025

Triada Samaras Painting Full Moon Over My Water



Day One

Full Moon Over My Water

36 x 48 inches

Acrylic on Canvas

Triada Samaras 2025

I want to back up now to the beginnings of another painting of the full moon over water I have now completed. I will present it in stages. It has shades of neurorgraphic art plus naturalism....I will call this one 'Full Moon over My Water' 36 by 48 inches Acrylic on Canvas Triada Samaras 2025.



Saturday, April 19, 2025

Triada Samaras: Watercolors / Beginning of Full Moon Over Water

Last summer I began playing with my current theme of Full Moon Over Water.  At that time, I was not sure where I was going. But as look back at the works now, I see I was on my way to discovering my current direction. I am re-working a few of these but some like this one are perfect as is!


Moon Over Water
Watercolor on Paper 14 x 17 inches
Triada Samaras 2024

Painted on the Lion’s Gate portal, August 8 of last summer—this piece has stayed with me. Two spheres of light, moon and reflection, or maybe sun and memory… At the time, I didn’t realize it would prefigure my current Moon Over Water series. But it did. I’ve recently added to the piece, letting it evolve alongside me. Energy speaks across time.



Lion's Gate
Watercolor and Pastel on Paper 
22 x 30 inches
Triada Samaras 2024

Sunday, April 13, 2025

Triada Samaras Full Moon Painting Pine Point Beach

The full moon over water is a recurring theme in my work, embodying a return to our emotions during dark moments......(see below)


Full Moon Pine Point Beach
Day?
Acrylic on Canvas 48 inches x 36 inches
Triada Samaras 2025


Full Moon Pine Point Beach
Final Day
Acrylic on Canvas 48 inches x 36 inches
Triada Samaras 2025

The full moon over water is a recurring theme in my work, embodying a return to our emotions during dark moments. I believe it is through facing our vulnerabilities and fears that we begin to find hope, and the full moon radiates that power. This full moon painting, larger and more realistic, takes inspiration directly from a photograph I took of the moon above the water. The moon, now both benevolent and powerful, casts its light over the water, inviting us to reflect on our own internal light in the face of shadow.

The theme of shadows also brings to mind the words of bell hooks: "To love, we must first face our own darkness." The process of encountering our shadows and learning to integrate them allows us to stop projecting what we don't accept in ourselves onto others. The work of the full moon is to remind us of the light that still exists, even in our darkest times.


Postscript for astrology enthusiasts:

As Neptune has recently entered Aries, this powerful shift encourages us to tap into our deepest emotions, dreams, and intuition, and take inspired action. With Pisces energy still very much present, we are invited to confront and integrate the parts of ourselves that we might have been avoiding. These energies are reflected in my painting, as I explore the balance between emotion, shadow, and light. With Neptune and Saturn transiting close to my Ascendant at 29 degrees Pisces, conjunct Black Moon Lilith, I’m working to activate this potent energy within myself and share that journey through my art.

Triada Samaras 4/16/2025










Friday, April 11, 2025

Triada Samaras A New Pine Point Full Moon Painting

 

The full moon over water is a recurring theme in my work (see below)...

Day 3 
Full Moon Pine Point Beach 
Acrylic on Wood Panel 12 x 18 inches
Triada Samaras 2025 


Day 4 (Final Day)
Full Moon Pine Point Beach 
Acrylic on Wood Panel 12 x 18 inches
Triada Samaras 2025 

The full moon over water is a recurring theme in my work, embodying a return to our emotions during dark moments. I believe it is through facing our vulnerabilities and fears that we begin to find hope, and the full moon radiates that power. This full moon painting, smaller and more realistic, takes inspiration directly from a photograph I took of the moon above the water. The moon, now both benevolent and powerful, casts its light over the water, inviting us to reflect on our own internal light in the face of shadow.

The theme of shadows also brings to mind the words of bell hooks: "To love, we must first face our own darkness." The process of encountering our shadows and learning to integrate them allows us to stop projecting what we don't accept in ourselves onto others. The work of the full moon is to remind us of the light that still exists, even in our darkest times.


Postscript for astrology enthusiasts:

As Neptune has recently entered Aries, this powerful shift encourages us to tap into our deepest emotions, dreams, and intuition, and take inspired action. With Pisces energy still very much present, we are invited to confront and integrate the parts of ourselves that we might have been avoiding. These energies are reflected in my painting, as I explore the balance between emotion, shadow, and light. With Neptune and Saturn transiting close to my Ascendant at 29 degrees Pisces, conjunct Black Moon Lilith, I’m working to activate this potent energy within myself and share that journey through my art.

Triada Samaras 4/7/2025






Sunday, April 6, 2025

Guest Artist: Cheryl Kohler 2025

I am very pleased to include a guest artist and poet here. She does not want to say much as an introduction, but she does want me to write she's a sometimes sculptor and a lifelong aspiring poet when the mood strikes her.  Below I feature one of her recent and moving poems along with two of her photographs that accompany the poem:



Above:  Poem and Photographs Cheryl Kohler 2025



Thursday, April 3, 2025

Triada Samaras Painting / Poem Full Moon Standish / Luminous

Triada Samaras Painting / Poem : Full Moon Standish / Luminous

Since spending more time in Western Maine recently, I have become very inspired by the Eastern White Pine tree. It also happens to be the official state tree of Maine.

Meet the Eastern White Pine - New England Forestry Foundation New England Forestry Foundation

One tree in particular has inspired several of my artworks and a poem.

One of those artworks, a painting on wood panel, "Full Moon Standish" found a new home this past week to my great delight. Its new owner is a wonderful human being who also happens to be a close friend of mine, lucky for me.

I feature this artwork below together with a poem about the same tree that I wrote this past winter called Luminous.  It strikes me that I could go on making artworks indefinitely about this tree. 

Full Moon Standish
Watercolor on Panel
16 x 20 inches
Triada Samaras 2023

Luminous

The sun rises behind
a towering pine—
my home, my strength, my goddess,
my courage to rise above the rest.

But I wonder—
will she fall?
And when?

The sun ignites her body,
highlights her spine, her limbs,
the wind pressing against her back,
her trunk dissolving
into empty blue space.

I sketched her once,
sitting on my summer deck,
her shadow stretching long
against the bones of my house.

Charcoal dust on my fingertips,
I traced her lines,
her lips,
pressed them onto an empty white page.

"She can fall like snowflakes,"
she seems to say,
"softly upon your page."

Her towering height resists capture,
yet I refuse to shrink her.
I need to see her as she is,
to learn her wisdom.

There is so much in me that is fragile,
so much I must outgrow.

And still, I wonder—
will she fall?
And when?

I think she will tell me.

But honestly,
I think she already did.

c. Triada Samaras 2025

Here she is in a cell phone photo



Monday, March 31, 2025

Triada Samaras: Full Moon Pine Point 1


Day 1
Full Moon Pine Point Beach 
Acrylic on Wood Panel 18 x 24 inches
Triada Samaras 2025 

Day 2
Full Moon Pine Point Beach 
Acrylic on Wood Panel 18 x 24 inches
Triada Samaras 2025 


Day 3
Full Moon Pine Point Beach 
Acrylic on Wood Panel 18 x 24 inches
Triada Samaras 2025 


Day 4 (Final Day)
Full Moon Pine Point Beach 
Acrylic on Wood Panel 18 x 24 inches
Triada Samaras 2025 

Heartbreak: Painting by Triada Samaras

I have been using simple neurographic art techniques to help me create art from some of my most stressful emotions.  To this end, I have created a small series of works I call "Heartbreak," a series of acrylic paintings on paper and canvas that began with writing a stressful emotion on the back of the canvas/paper, then using stream of consciousness thinking and neurographic lines to create the basis for a composition.  Developed by Pavel Piskarev this method has opened up an entirely new artmaking approach to me LINK.

After the lines are completed, I add other elements as they pop into my head.  Finally, I choose a color palette I would like to explore and use it faithfully. The process is very interesting to me, so I continue to explore it and to feel its benefits.  This is an on-going, evolving process that I allow to lead me even though I do have a structure at the outset.

The attachment to the original emotion changes over time, because naturally every emotion is fleeting and I never feel the same way each time I approach the canvas. But I do continue to reflect on the original question.  Sitting with a feeling over time and using paint at the same time is a new experience for me.

The painting evolves greatly as I work. By the end of the process, the painting does reflect some of the original emotion, but also, to my great surprise/delight, supersedes it, proving to me something profound about the transformative aspect of art making.

I find great emotional benefit to creating art this way.  The final paintings show me the many nuances and evolutions of my feelings in a way that my former expressionist paintings and process do/did not.  I am interested in this very much.





Friday, December 27, 2024

Triada Samaras: A Poem "Broken'

I think this is mostly done after a long round of edits but we shall see.....

Broken

Tossed cans lie crumpled in the dust bin,
colors shaded by warm sunlight
that glides to the other side of the house
for a better view.

Faux gold poinsettias
sparkle faintly,
their tarnished glamour clinging
to gold dust circling them as they pose
on bare white windowsills.

The sun begins to fall,
its rays catching a clock face 
ticking toward a time that never comes,
around a circle of hours,
vaguely remembering the years—
one after another.

Measuring moments
to the melancholic rhythm of my heart,
encased in a stiffened cage,
a body imprisoned,
warping round a beat
that shields it gently.

An empty pen tries to write a poem in my lap.
It starts:
The sun might mourn your lies,
but trust,
the sun, the house, the window—
they will never mend my broken heart.


c. Triada Samaras 12/2024

Monday, December 16, 2024

Triada Samaras: Happy Holidays! Prints for Order

 
Pine Point, 2022

Acrylic on Panel

16 x 20 inches

(more about this painting)

Hello, perhaps you are looking to gift someone this year with a work of art!

I am reposting my blog post from 2022* and adding some new paintings to this post that are photo ready to be printed.  All prices remain the same as they were in 2022 (see below). The sizes can be tweaked to your preference.  If there is a different painting from my website or blog that you would like printed, please email me/text me and tell me what you have in mind! These are:

Archival Giclee Fine Art Prints 

Signed, Limited Edition with Certificates of Authenticity if Requested

Fine Art Hahnemühle Paper and Archival Ink

From my Maine series: the following paintings are photo ready for print in addition to Pine Point above.

Pine Point, 2022

Acrylic on Panel

16 x 20 inches


Pine Point, 2022

Acrylic on Panel

16 x 20 inches

From my Kean University Exhibition Transcending Bodies 2024 :  All paintings are photo ready to print with the exception of the wall of blue paintings on the right-hand side of the gallery. Please inquire if other paintings on my website or here on my blog interest you specifically.  Below I show some examples of what is ready now to print:

Uprising, 2017

Oil on Canvas

66 x 50 inches


Blinded, 2022

Acrylic on Canvas

48 x 24  inches


Revolution , 2017
Oil on Canvas

68 x 51 inches


Disconnect 2, 2022

Oil on Canvas

48 x 24 inches 

The Storm, 2019

Oil and Paper on Canvas

57 x 78 inches

warmly triada

email: triadasamaras@gmail.com cell: 917-558-6157


*Archival Giclee Prints of a Maine Plein Air Painting: "Pine Point." Artist: Triada Samaras. 2022

 Pine Point, 2022

Acrylic on Panel

16 x 20 inches

(more about this painting)



Archival Giclee Fine Art Prints of Pine Point Painting 

Signed, Limited Edition with Certificates of Authenticity

Fine Art Hahnemühle Paper and Archival Ink


24 x 30 inches, edition of 10, $750. (unframed)

16 x 20 inches, edition of 15, $450. (unframed)

12 x 15 inches, edition of 15, $250. (unframed)

8 x 10 inches, edition of 20, $120. (unframed) 


Shipping and handling to be calculated

Additional sizes available upon request

Framing available upon request



To order a print:

Email triadasamaras@gmail.com 

With subject line "Print Order"

Please include size, quantity, and your mailing address.


Once I receive your request I will ask for your payment via Venmo, Google Pay or Zelle.

 The print will be shipped to the mailing address provided after payment is received.


TriadaSamaras.com

triadasamaras@gmail.com

917-558-6157



Q&A About the Fine Art Printing Process


What is a Fine Art Print?

A fine art print is a reproduction or a copy of an artist’s original painting using a digital printing process with archival inks on fine art paper. Fine art printing is the term often used to refer to professional photographs being printed on very high quality paper. This designation, which is by no means a label, meets certain quality criteria, with regard to the paper and inks, which are sought after by many photographers and printers. 



What is a Limited Edition?

Limited edition prints have been specifically created by the artist, and there are only a certain number available. The print often comes with a certificate, a number designating which exact pint it is within the total number of reproductions, and the artist's signature to show their authenticityRead more about this



What is the difference between fine art paper and photo paper?

The difference between fine art paper and commercial photo paper lies in the composition of the paper itself. Natural fibers (usually cotton or alpha cellulose) must be included within the composition of fine art paper. The paper is not artificially bleached with chlorine or other chemicals that would break down the paper and the inks over time. Commercial photo paper is better for photos viewed on an occasional basis, whereas fine art paper will ensure that images are shown off in their best light and provides good performance in exhibitions. Because fine art paper is intended for the printing of high quality photographs, its quality must be ideally suited to receiving inks and pigments. The composition of the surface layer must allow the ink to adhere well over time, while offering a neutral pH to ensure that the paper also stands the test of time. Fine art paper will also allow you to emphasize the composition of the image by providing the ideal support for intense colours and marked contrasts, while also enabling a wide range of grey tones.  Read more about this



What is archival ink?

Archival ink is specifically designed to be resistant to weathering and fading so that it will last for a long time. It is often used for scrap-booking and other activities where the written or drawn images need to be preserved indefinitely. To make the most of archival ink, it is best to use it in conjunction with archival paper, which is also made to resist weathering and fading. Read more about this



What is Hahnemühle Paper?

Hahnemühle paper is a fine art quality paper manufactured by Hahnemühle FineArt, Inc., a paper manufacturing company in the Relliehausen district of Dassel, Germany. Founded in 1584 it is a significant producer of coated paper for inkjet printing, artist's paper for traditional painting and printing techniques, and filter paper for industry and research. It is a highly regarded fine art paper used by many professional artists for its quality. Read more about this



What if I am unhappy with my print?

If for any reason you are not happy with the print, you can ship it back to me and I will refund your payment minus shipping charges.






Saturday, December 14, 2024

Triada Samaras a Painting in Honor of Leopold Veuve Sr. 1930 -2024

I have created a painting in honor of my recently deceased (ex) father-in-law who lived in Switzerland all his life.  I started (for a second painting in this vein) with neurographic lines based on a method I have been exploring LINK.  In this painting my feelings (emotions) are the initial catalyst for the lines and later colors.  However the painting quickly takes on a presence of its own.

It is a slow, deliberative process so I am including here many photos from start to :maybe" finished (I will probably go in tweaking but now the major part of the painting is finished).  While I painted, I was able to also process many difficult and complex feelings which are common after any significant death.  My father-in-law was enormously significant in my life.  Although I divorced my husband (his son) many years ago, he remained a steadfast and loyal fixture in my life and in the life of my sons and their father.  It is a little complicated as life often is.  But his presence meant so much to me, perhaps even more so after my divorce.

I think this painting does capture many of my feelings.  I also think it will resonate with any viewer facing a significant loss of a loved one.  I aimed in this painting to celebrate his life with joy and to imagine his passing was equally joy-filled in a way those of us who remain behind can not appreciate for obvious reasons.  

Farewell Leopold Veuve Sr.! I dedicate this painting to you.  x. Triada


Triada Samaras 

A Life Well-Lived is Complicated

Acrylic on Canvas

24" x 48"

2024






It is so interesting to me that the flowers I planted for the passing of Leopold had the same color scheme I later chose for the painting.  I was not aware of this until now
when I posted all the photographs together.